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Founded during the Bicentennial we look forward to Commemorating America's 250th

About Vaillancourt Folk Art of Sutton, Massachusetts

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From our beginnings in the 1980s during the American craft revival to our evolution into a leader in fine art Christmas collectibles, Vaillancourt Folk Art has remained dedicated to creating works that stand the test of time. Judi Vaillancourt’s fine art chalkware—crafted using traditional methods and hand-painted in Massachusetts—and Luke M. Vaillancourt’s mouth-blown, hand-painted ornaments made in Poland reflect our commitment to blending history, tradition, and contemporary artistry. As our story has grown from early craft shows to a destination Retail Gallery and international collector base, so too has our purpose: to create heirloom-quality pieces that carry meaning, preserve craftsmanship, and help establish traditions for generations to come.

Our Mission

Our mission is to create the highest quality, fine art Christmas collectibles in the world.

1984

The Beginning of a Tradition

Vaillancourt Folk Art was founded in 1984 by Gary and Judi Vaillancourt in Sutton, Massachusetts, emerging from a period when American craft experienced a significant resurgence during the Bicentennial era. Across the country, retail shows and craft fairs celebrated traditional artistry, bringing renewed attention to handmade work rooted in early American history.

It was within this environment that Judi began exhibiting and selling her work at these shows, connecting directly with collectors who valued authenticity and craftsmanship. These early retail experiences were instrumental in shaping our identity—grounding the company in personal relationships, storytelling, and a deep appreciation for traditional forms that would later evolve into our signature Christmas collections.

Mid-1980s
Judi Vaillancourt (right) pouring Chalkware in her home's kitchen (1985)

The Birth of Modern Chalkware

In the years following our founding, Judi Vaillancourt began experimenting with antique chocolate moulds, ultimately developing a method to revive the historic medium of chalkware in a completely new way. What makes this moment especially meaningful is where it began—not in a formal studio, but at home.

Working out of her house, often at the kitchen table, Judi began creating the first pieces of what would become modern chalkware. These early works transformed simple plaster forms into hand-painted, dimensional canvases, blending her background as an artist with her passion for history and Christmas traditions.

From these humble beginnings, a new medium was born—one that would come to define Vaillancourt Folk Art and set the foundation for everything we create today.

1988–1991
The "upgraded" pouring room located in the Vaillancourt's basement with the first pouring team.

National Recognition

By the late 1980s, Judi’s work began receiving national attention, with features in Early American Life (1988), Colonial Homes (1989), and Collector Editions (1991). These recognitions introduced Vaillancourt chalkware to a growing audience of collectors who were drawn to the authenticity, detail, and storytelling within each piece.

As demand increased, this period marked a pivotal transition for the company. While Judi continued to focus on the artistry, Gary Vaillancourt played an essential role in building the foundation of the business—managing operations, supporting production, and helping to scale what had begun as a home-based endeavor. Together, their partnership transformed the company from a small studio into a growing workshop.

Production soon expanded into the basement, and we began hiring and training additional employees to meet demand. Under Gary’s guidance, systems and structure were put into place to support this growth, ensuring that each piece maintained the same level of quality and craftsmanship as the earliest works created at the kitchen table.

This moment marked more than recognition—it was the transition from a passionate endeavor into a sustainable, family-run business. Even as we grew, the essence of our work remained unchanged: each piece still grounded in tradition, hand-painted artistry, and the spirit of Christmas that first inspired Judi from the very beginning.

1990s

Building a Collector Community

Throughout the 1990s, Vaillancourt Folk Art experienced meaningful growth—not only in reach, but in how we connected with our collectors. Following the purchase of the Armsby Road property in 1987, we began expanding the space to support both production and a more immersive customer experience.

It was here that we introduced our first retail footprint, “Vaillancourt Folk Art & Friends.” This space allowed us to welcome collectors in person, offering them the opportunity to experience the artistry, storytelling, and craftsmanship of our work firsthand, alongside complementary goods that reflected our shared appreciation for tradition and design.

At the same time, the annual product catalog became an essential part of building our collector community. Distributed to homes across the country and later expanded online, the catalog extended the reach of our story while maintaining the personal connection that defined our early retail shows.

This period marked a shift from simply creating products to cultivating relationships. Whether visiting us in person or engaging through the catalog, collectors became part of our tradition—returning year after year to discover new pieces and continue their own stories through ours.

2003

Expanding Artistic Vision

In 2003, Vaillancourt Folk Art reached an important turning point in both artistry and operations. As the company continued to grow, we expanded our team and invested in training artisans in the specialized techniques required to produce our chalkware. This growth allowed production to become more collaborative, supported by a skilled group of painters and craftspeople who shared in our commitment to quality.

With this foundation in place, Judi was able to shift her focus more fully toward developing her artistic vision. No longer limited by the demands of day-to-day production, she began designing new forms and concepts, including the creation of original moulds that expanded beyond antique shapes.

This moment marked one of the first steps in our evolution from traditional folk art into fine art. With greater creative freedom, Judi began producing more complex, detailed, and expressive works—laying the groundwork for the one-of-a-kind and highly limited pieces that would later define Vaillancourt as a leader in fine art Christmas collectibles.

2005–2010
Tom Bergeron and Emma Samms joining Gary and Judi Vaillancourt in 1993 during the 4th introduction of Vaillancourt Folk Art's Starlight Santa.

National Spotlight and Next Generation Growth

Between 2005 and 2010, Vaillancourt Folk Art experienced a period of meaningful growth and transition. National recognition, including a feature in Yankee Magazine, brought broader attention to our work, while honors such as a Family Business Award and recognition among Massachusetts’ notable small businesses reinforced our place within the regional community.

In 2007, Luke M. Vaillancourt joined the company, bringing experience from the advertising world and helping to guide the brand’s next chapter. During this time, we also began developing more refined and detailed designs for high-end retailers, expanding our reach while maintaining our commitment to handcrafted artistry.

As the company grew, so did the need for space. This led to our move to the historic Manchaug Mills, where we established a larger artists’ studio and retail gallery. This transition marked a significant step forward—bringing production, creativity, and the collector experience together under one roof, and setting the stage for our continued evolution into fine art.

2012

From Folk Art to Fine Art

A defining moment in our history came in 2012 with the introduction of exclusive collections for Neiman Marcus and Bergdorf Goodman. For nearly three decades, we had built our reputation within the world of American folk art—grounded in history, tradition, and craftsmanship. This partnership, however, challenged us to elevate that foundation even further.

These collections represented more than new distribution channels; they marked a shift in artistic intention. Judi began creating pieces that were not only rooted in tradition, but also conceived as singular works of art—highly detailed, deeply expressive, and often produced in extremely limited quantities or as one-of-a-kind creations. Drawing from her vast collection of antique moulds, as well as her own original designs, she pushed the boundaries of what chalkware could become.

In many ways, this moment fulfilled what had been building for years. The refinement of technique, the expansion of creative control, and the growing recognition of our work all converged into a new identity—one that bridged the accessibility of folk art with the permanence and significance of fine art. Our pieces were no longer simply collected; they were curated, exhibited, and passed down as heirlooms of both artistic and cultural value.

2016–2021

A Story Shared Widely

Between 2016 and 2021, our story reached a broader audience through features on WCVB’s Chronicle, offering an intimate look into the world behind each Vaillancourt piece. These segments brought viewers into our studios, where history, craftsmanship, and storytelling come together in a process that remains largely unchanged since our earliest days.

At the same time, this period marked a renewed focus on the retail experience. As more visitors sought to engage with our work in person, we expanded our Retail Gallery at Manchaug Mills—creating a space that was not only a store, but a destination. Here, collectors could immerse themselves in the artistry, explore the full breadth of our collection, and experience firsthand the tradition and craftsmanship that define each piece.

This commitment to retail extended beyond our walls. We began participating in and expanding into curated events such as the Christkindlesmarkt, aligning our work with historic European-style Christmas markets that celebrate craftsmanship, tradition, and community. These events allowed us to meet collectors where traditions are actively lived and shared, reinforcing the cultural roots that inspire our work.

Together, these efforts—combined with the visibility from Chronicle—helped us share not only how our pieces are made, but why they matter. In an increasingly fast-paced world, our work continues to offer something enduring: a connection to history, a celebration of craftsmanship, and a meaningful way to experience the traditions of Christmas.

2024

40 Years of Tradition

In 2024, Vaillancourt Folk Art marked its 40th anniversary—a milestone that invites both reflection and perspective. What began in a home, with a handful of antique moulds and a vision rooted in history, has grown into a body of work recognized by collectors, institutions, and galleries across the country.

Over four decades, our journey has been shaped not by rapid change, but by thoughtful evolution. From early days at craft shows to the development of a national collector base, from basement workshops to the studios at Manchaug Mills, each chapter has built upon the last. Along the way, Judi’s work has helped redefine chalkware—transforming it from a forgotten medium into a respected art form with enduring relevance.

This anniversary is not only about longevity; it is about continuity. The same values that guided us in 1984—craftsmanship, tradition, and storytelling—remain at the core of everything we do today. As we look ahead, our purpose remains clear: to create works of art that will endure beyond us, carrying forward the spirit of Christmas and becoming part of the traditions of families for generations to come.

Today

Continuing the Legacy

Today, Vaillancourt Folk Art continues to evolve while remaining grounded in the values that defined its beginnings. Though our work can be found in leading department stores across the country, we remain a family-owned and operated business, with every collection still rooted in Judi Vaillancourt’s artistic vision.

Each piece is designed by Judi and brought to life by a small team of professionally trained artists in our Sutton, Massachusetts studio—ensuring that craftsmanship, detail, and authenticity remain at the forefront of everything we create. Since stepping into the role of President in 2022, Luke M. Vaillancourt has led the company’s operations and strategic direction, while Gary Vaillancourt continues to oversee production, preserving the integrity of our process.

In a world increasingly driven by speed and scale, we remain committed to something more enduring: creating meaningful, heirloom-quality works of art that honor tradition, celebrate craftsmanship, and are proudly American made. Because in the end, it is not just about what we create—it is about the traditions those pieces help begin.

The Vaillancourt Family: Gary, Luke, and Judi Vaillancourt in Sutton in 2025.

Chalkware Rabbits

Commemorating America 250

The 2026 Chalkware Collection