I will honor Christmas in my heart, and try to keep it all the year.

November 29, 2009

All of us at Vaillancourt Folk Art wish to thank all who attended the performances of A Christmas Carol performed by Gerald Charles Dickens, the Great-great-grandson of Charles Dickens. We had four fabulous performances to sold out crowds! All attendees were touched by Mr. Dickens’ performances of this one man show, as he took the stage in a modified version of Charles Dickens’ readings of the timeless story, A Christmas Carol.

Even more so, it was gratifying to see the generations of families come in to our Gallery and Museum see the performance and then meet Mr. Dickens!

Gerald Charles Dickens signing ornaments for an attendee
Gerald Charles Dickens signing ornaments for an attendee after Saturday afternoon’s performance.

Vaillancourt is about traditions and we are happy to not only have families continue their traditions with us, but hundreds started new traditions with us this weekend!

We would like to thank the Byers family, from Byers Choice in PA, for all of their assistance in making this performance happen. Like us, Byers Choice is an American made treasure and Joyce, Bob Jr. and Jeff Byers have always been extremely helpful in making sure that “American Made Christmas” survives.

WTAG's talk show host Jim Polito with Gerald Dickens.
WTAG’s talk show host Jim Polito with Gerald Dickens.

We would also like to thank Paul Boutiette and Neil Crites of the Manchaug Mills for their assistance in creating Blaxton Hall. WSRS and WTAG for their media sponsorship and Millbury Federal Credit Union for their sponsorships. We also want to thank Mechanics Hall for sharing their Charles Dickens story, Professor Joel Brattin, Margaret F. Anderson, and Michael Dorsey of the WPI George C. Gordon Library, Fellman Dickens Collection—a premier source of Dickens materials— for sharing their knowledge, expertise, and producing the images used for the posters in Blaxton Hall. Most importantly, thank all of our attendees for making this performance of A Christmas Carol possible.

A real Dickens: THE ORIGINAL’S GREAT-GREAT-GRANDSON

November 24, 2009

A real Dickens (Full Article)
THE ORIGINAL’S GREAT-GREAT-GRANDSON

By Donna Boynton TELEGRAM & GAZETTE STAFF (Nov 24, 2009)

Gerald Charles Dickens will perform his one-man show of “A Christmas Carol” at Vaillancourt Folk Art. (SUBMITTED PHOTO)

Gerald Charles Dickens will perform his one-man show of “A Christmas Carol” at Vaillancourt Folk Art. (SUBMITTED PHOTO)

SUTTON —  He remembers the first time he heard “A Christmas Carol.” It was Christmas Eve, he was 5 and his father had gathered the children to read the story that included the miser, the trio of holiday ghosts and the ever-hopeful child. He remembers how he was caught up in the magic of the tale.

Now, when Gerald Charles Dickens reads his great-great-grandfather’s classic tale to audiences during the holiday season, he tries to capture that same magic of Christmas.

“What I remember most about it, and what I always try to capture, is the sudden realization that Scrooge hasn’t missed Christmas Day at all,” Mr. Dickens said from his home in England. “It’s absolutely magical — he doesn’t know how long he’s been gone or how far he has traveled, but he wakes to find out he hasn’t missed Christmas.”

Mr. Dickens will perform his one-man show of “A Christmas Carol” Saturday and Sunday at Vaillancourt Folk Art in Manchaug Mills, which has been transformed into Blaxton’s Hall for the event.

Vaillancourt Folk Art is a local Christmas tradition in its own right, and to prepare for the performance, Judy Vaillancourt researched Charles Dickens at Worcester Polytechnic Institute, which is home to the Robert Fellman Dickens Collection, one of the largest in New England.

“We really want him to be proud,” said Mrs. Vaillancourt of the venue her family business is creating for the performance. “We’re in a textile mill, what could be more fitting than that because that is what his great-great-grandfather wrote about.”

And his great-great-grandfather visited Worcester twice in the 1800s.

DickensPosterThe first visit was a three-day stay in February 1842, when he celebrated part of his 30th birthday; his second visit came March 23, 1868, when he gave a reading of “A Christmas Carol” in Mechanics Hall, said Joel J. Brattin, professor of humanities and art at WPI and curator of the Robert Fellman Dickens Collection.

And now his great-great-grandson will visit Central Massachusetts, giving a similar reading of the famed tale.

Though not formally trained as an actor, Mr. Dickens has been acting since he was cast in a school play at 9 and has remained active in theater in England.

Mr. Dickens has been offering his one-man performance of the holiday classic since 1993, when he was asked to give a reading to commemorate the 150th anniversary of the tale’s publication.

“At that time, I did the readings in much the same way that Charles Dickens did — standing at a lectern, reading from the book,” said Mr. Dickens. “It grew from just a reading to something that took a life of its own.”

Mr. Dickens first began touring in 1996, giving readings of “A Christmas Carol” in large settings to an audience of 2,000 people, and in small settings to a family of 12 in their home.

It was on one of those tours that what could have been a performer’s worst nightmare, turned into a fortunate mistake that has created Mr. Dickens’ unique performance.

He was scheduled to do two readings in Tennessee, and the time between performances was tight. He raced out of the first venue, traveled several miles to arrive just before his second performance was to begin, only to discover that he had left his copy of “A Christmas Carol” behind.

“There was no time to do anything about it, so I did it from memory,” said Mr. Dickens. “What started as something I did out of sheer necessity, became a one-man show. It was the best thing that ever happened, and it completely changed the show.”

His props are few — a walking cane, a hat stand and a chair. What makes his performance unique is the way he brings voice and life to all 26 characters in the tale. Mr. Dickens said “A Christmas Carol” incorporates so many changes in scenes, that he wants the focus to be on the words, on the characters, and not be distracted by scenery.

“A Christmas Carol” was first published in 1843 and has helped to create a certain perception of Christmas.

“At the time he wrote ‘A Christmas Carol,’ the celebration of Christmas in England was changing,” said Mr. Dickens. “It was the year the first Christmas card was published. Decorating was becoming much bigger, and he was there to capture it — to capture Christmas in the Victorian Era.”

“(Charles Dickens) helped move society away from the old, the days of the Puritans when there was no celebration of Christmas,” said WPI’s Mr. Brattin, noting that Dickens introduced a holiday celebration that includes the hanging of the green, food, drink and family. “You get the sense from the Cratchit Family that Christmas is not all about money or the giving of Nintendos, that there is so much more to it than that … The story has lasted for such a long time because of its own strengths; it is a story of the possibility of change and conversion.”

What Charles Dickens was also able to capture in his tale were the feelings of hope, generosity and frustration that the Christmas season brings.

“There’s a bit of everybody in all of the characters,” said Mr. Dickens, adding there is even a bit of the author in the personalities he created. “He (Charles Dickens) could be mean, miserable and pig-headed as Scrooge, but he could also be generous and fun-loving like Fezziwig.

“What I like to have happen is that people come at the beginning of the evening to see a show, and they leave having been part of the show,” said Mr. Dickens.

While the reading of “A Christmas Carol” has become a holiday tradition for many, what is Mr. Dickens’ holiday tradition?

“This is my tradition,” Mr. Dickens said. “I get to live Christmas two to three months out of the year. What could be better?”

Mr. Dickens will perform “A Christmas Carol” at 2 and 7 p.m. Saturday, and at 2 and 6 p.m. Sunday. Tickets are $25 each and can be purchased by calling (508) 476-3601 or online at www.valfa.com.


Copyright 2009 Worcester Telegram & Gazette Corp.

Vaillancourt display stakes out new space

October 14, 2007

SUTTON— Vaillancourt Folk Art recently celebrated the grand opening of its new museum.

Judi Vaillancourt, right, displays some historic figurines made from chocolate and ice cream molds to Lexington collectors David LaFauci and Claudia Cassettari at the Vaillancourt Folk Art Museum’s recent grand opening. (MICHELLE SHEPPARD PHOTOS)

Judi Vaillancourt, right, displays some historic figurines made from chocolate and ice cream molds to Lexington collectors David LaFauci and Claudia Cassettari at the Vaillancourt Folk Art Museum’s recent grand opening. (MICHELLE SHEPPARD PHOTOS)

Located within the retail/studio space at the Manchaug Mills at 9 Main St., Suite H-1, the museum chronicles the melding of old and new that created the business noted for its signature folk art holiday chalkware and ornaments.

“Believe it or not, we did start out creating and painting folk art pieces, and that’s why we have this display of hand-painted clock faces as part of this exhibit,” company owner Judi Vaillancourt said in a prepared statement.

Twenty-three years ago, the Vaillancourts were developing a business that was very different from the one they have today. But it is exactly that contrast that makes the rest of what is displayed in the museum interesting, Ms. Vaillancourt said.

Mr. and Mrs. Vaillancourt have taken special care to show their visitors just how multifaceted their particular expertise is. At one end of the museum space are the original antique chocolate molds that Judi’s husband Gary, the company’s president, bought for her one Christmas.

Above, top, a Santa Claus figurine made from a mid-19th-century German chocolate mold; and bottom, Sherrie Morin of South Grafton looks over some ornaments.

Above, top, a Santa Claus figurine made from a mid-19th-century German chocolate mold; and bottom, Sherrie Morin of South Grafton looks over some ornaments.

From there, visitors get glimpses of several types of collecting. The Vaillancourts have become collectors themselves as they evolved their own business into one based on collectors’ demands.

The museum is arranged so visitors start by viewing early antique chocolate molds, backed by the catalog pages that originally advertised them. Another display shows how chalkware was popular during the Victorian era and how peddlers went door-to-door with chalkware pieces that were created to decorate fireplace mantels. Juxtaposition against an early Vaillancourt Folk Art catalog with their product gives the visitor context for the depth and variety to be found in the museum’s displays.

Several display cabinets show the progression of chalkware that developed under the Vaillancourts’ craftsmanship. They also show the story of how chalkware molds used by Vaillancourt Folk Art are “retired,” never to be used again; “inactive” meaning that they might be used again but will not be painted the same; and “NIPTY” — Not In Production This Year.”

Limited edition pieces also tell part of the story that is important to the collectors who look forward to seeing new pieces each year. “Our Starlight Santa is always created as a limited edition,” Judi Vaillancourt said. “And our collectors are very conscious of that. A great deal of thought goes into what we will create to make each year unique, and we’ve already started to work on our 2008 figure.”

Above, top, a Santa Claus figurine made from a mid-19th-century German chocolate mold; and bottom, Sherrie Morin of South Grafton looks over some ornaments.

Above, top, a Santa Claus figurine made from a mid-19th-century German chocolate mold; and bottom, Sherrie Morin of South Grafton looks over some ornaments.

Another highlight exhibit shows how molds and the manufacture of molds themselves have changed over the years. Glass ornaments continue to be created from steel molds, but confectionery molds have moved from heavy metals to polycarbonate (which looks like clear plastic) and other materials.

The Vaillancourts own thousands of molds they can access for their chalkware designs. Today, the company’s catalog includes about 200 chalkware pieces a year.

The variety their business is capable of is showcased in the cabinet labeled “Molds in Motion” that is entirely based on figures with “movement” as their theme. From a rabbit paddling in a kayak to Santas in automobiles, planes and, of course, sleighs, the display captures both the variety of molds the Vaillancourts are able to tap, as well as the artistry that gives a whole new look to an Old World figure.

The gallery, studio and now museum are open from 9 a.m. to 5 p.m. Monday through Saturday and from 11 a.m. to 5 p.m. Sunday. From Thanksgiving until Christmas, the hours are 9 a.m. to 5 p.m. Monday through Wednesday; 9 a.m. to 8 p.m. Thursday and Friday; 9 a.m. to 6 p.m. Saturday and 10 a.m. to 5 p.m. Sunday.

For more information, call 508-476-3601 or visit www.valfa.com.